Vol. 9 No. 1 (2022): Historical research in Latin-American cinema: perspectives and challenges in the digital age

Special section guest-edited by Andrea Cuarterolo, Eduardo Morettin and Georgina Torello

DOI: https://doi.org/10.14591/aniki.v9n1

Published: 2022-01-12

Editorial

• Editorial V9n1

  Editorial Board

  1-3

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Essays

• Jackson Pollock’s Ghost: The painter’s strange movements through the lenses of cinema

  Alessandra Bergamaschi

  4-29

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• To Film Oneself Being: The narrative present tense in autobiographical documentaries

  Gabriel Kitofi Tonelo

  30-57

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• Sound and Fury in Brazilian Cinema: Culture and politics viewed from Pernambuco

  Márcia Vanessa Malcher dos Santos

  58-90

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• Music and the Sacred in João César Monteiro’s Deus Trilogy

  José Miguel Nicolau Pinto

  91-122

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Special Section

• Historical Research in Latin-American Cinema: Perspectives and Challenges in the Digital Age

  Eduardo Morettin, Andrea Cuarterolo, Georgina Torello

  123-138

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• Archive, Memory, and Resignification: Regarding the cinema of reappropriation in Mexico

  Elissa Rashkin, J. Pablo Romo Álvarez

  139-167

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• Reflections about the sound accompaniment of the early cinema: the case of Rio de Janeiro’s Cinema Chantecler (1911)

  Danielle Crepaldi Carvalho

  168-201

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• The International Circulation of Argentine Cinema in the Classical Period: The case of the Southern California Film Society (1939)

  Alejandro Kelly Hopfenblatt, Ivan Morales

  202-228

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• Estrada da Vida (1952) and the Cinematográfica Terras do Brasil: The presence of women in Brazilian cinema in the early 1950s

  Lívia Perez

  229-257

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• Slide Montage as Transition Audiovisuals in mid-1980s Uruguay

  Mariel Balás

  258-279

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• Music and Sound in Chilean Cinema: New voices for old (hi)stories

  Martín Farías

  280-302

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Interviews

• 30 years of TV Tamix: Interview with Genaro Rojas Ramírez, ayuujk video artist from Tamazulápam del Espíritu Santo, Oaxaca, founder of communitarian broadcaster TV Tamix

  Alberto Cuevas Martínez, Genaro Rojas Ramírez

  303-322

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Reviews

• About Descasco as Imagens e Entrego-as na Boca: Lições António Reis

  Ana Isabel Soares

  323-327

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• The Art of Loving According to Sérgio Dias Branco

  José Bértolo

  328-333

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• Figures of otherness in contemporary cinema

  Lucas Martinelli

  334-338

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• 

  The Stuff that Dreams are Made of: Reflections on the noir

  André Francisco

  339-346

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Exhibitions and film festivals

• ANDRÓMEDA or a Subtle History of Italian Public Television

  Rita Luís

  347-353

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• A possible panorama: The program The World Seen and Dreamt (2021) and the memory of cinema made in Espírito Santo

  Luana Cabral

  354-362

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• Cinema and Video in Pandemic Times: The virtual exhibitions

  Alexsandro de Sousa e Silva

  363-372

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