The Truth in the Light of Time
DOI:
https://doi.org/10.14591/aniki.v10n2.997Keywords:
Cinema, sculpture, performance, art, time, truthAbstract
Feixe de Luz: Escultura Projetada, Cinema Exposto, exhibition installed at the Centro de Arte Oliva, in S. João da Madeira, Portugal, proposes a reflection on sculpture and cinema, in a dialogue of opposites and dualities, of conceptions and conventions which art and the artists seek incisively to question.
References
Deleuze, Gilles. 1985. L’image-temps. Cinéma 2. Paris: Les éditions de Minuit.
Dulac, Germain. 1925. Écrits sur le cinéma: 1919-1937. Paris: Paris Expérimental.
Dunat, Silvana. 2022. “Time Metaphors in Film: Understanding the Representation of Time in Cinema.” In Film-Philosophy 26 (1): 1-25.
McCarrol, Tolbert. 1982. The Tao: The Secret Way. Anapolis, Califórnia: StarCross Books
Pethő, Ágnes. 2020. “Sculpture and Affect in Cinema’s Expanded Field. From Aleksey Gherman’s Hard to Be a God to Aleksey Gherman Jr’s Under Electric Clouds.” In Caught In-Between: Intermediality in Contemporary Eastern European and Russian Cinema, editado por Ágnes Pethő, 65-90. Edimburgo: Edinburgh University Press.
