Interview with Nataša Petrešin-Bachelez, independent curator
DOI:
https://doi.org/10.14591/aniki.v8n1.753Keywords:
Curatorship, Nataša Petrešin-Bachelez, situated curatorial practices, white cube, coloniality in museums, decolonialityAbstract
In June 2020, in the middle of the COVID-19 pandemic, we interviewed the independent and interdependent curator Nataša Petrešin-Bachelez. The interview, held by videoconference, focuses on Petrešin-Bachelez’s curatorial activity, addressing problems such as situated curatorial practices, transnational feminism, the challenges of a sustainable curatorship, the non-neutrality of the “white cube,” and the need to decolonize museological institutions.
References
Ahmed, Sara. 2017. Living a Feminist Life. Durham: Duke University Press.
Fournier, Valérie. 2013. “Commoning: on the Social Organisation of the Commons.” M@n@gement 16 (4): 433-453. Acesso a 6 de Janeiro de 2021: https://www.cairn.info/revue-management-2013-4-page-433.htm
O’Doherty, Brian. 2000. Inside the White Cube: The Ideology of the Gallery Space. Berkeley: University of California Press.
Petrešin-Bachelez, Nataša. 2018. “Transforming Whiteness in Art Institutions.” e-flux 93. Acesso a 8 de Setembro de 2020: https://www.e-flux.com/journal/93/216046/transforming-whiteness-in-art-institutions/
Petrešin-Bachelez, Nataša. 2017. “For Slow Institutions.” e-flux 85. Acesso a 6 de Janeiro de 2021: https://www.e-flux.com/journal/85/155520/for-slow-institutions/
Vergès, Françoise. 2006. La Mémoire enchaînée. Questions sur l’esclavage. Paris: Albin Michel.


