"Garage cinema": an overview of Brazilian cinema's renewal movements from the 2000’s

Authors

  • Marcelo Gil Ikeda Universidade Federal do Ceará, Instituto de Cultura e Arte, 60455-760, Fortaleza, Ceará

DOI:

https://doi.org/10.14591/aniki.v5n2.394

Keywords:

Brazilian cinema, Garage cinema, Criticism, Curation

Abstract

The aim of this article is to present an overview of Brazilian cinema's renewal movements, from the current century on, marking the consolidation of a non-hegemonic cinema in sharp contrast to the mainstream cinematography supported by the public policies of the period. Using the term "garage cinema", we propose to investigate the relationship between the changes in the models of production, criticism, and curation during the period.

Author Biography

Marcelo Gil Ikeda, Universidade Federal do Ceará, Instituto de Cultura e Arte, 60455-760, Fortaleza, Ceará

Professor of Cinema and Audiovisual at the Federal University of Ceará (UFC). PhD student in Communication at the Federal University of Pernambuco (UFPE). Author of the books Garage Cinema: an affective inventory on the young Brazilian cinema of the 21st century (with Dellani Lima) and Laws of incentive for the audiovisual, Cinecocoonphilia, Brazilian cinema from the retomada on: economic and political aspects, among others.

Downloads

Published

2018-07-14

Issue

Vol. 5 No. 2 (2018): Brazilian cinema in the neoliberal age

Section

Special Section